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Anatoly Lyadov: Complete Piano Music, Volume One
Catalogue Number: TOCC0082
Biryulki, Op. 2 Olga Solovieva, piano Anatoly Lyadov (1855–1914) is remembered these days chiefly for his Musical Snuffbox, once a favourite encore. Lyadov was indeed a miniaturist – but a far more productive one than his reputation for laziness suggests. His substantial output for piano – never previously recorded in its entirety – reveals a composer with an energetic keyboard manner reminiscent of Schumann, often coloured with a hint of Russian folk-music. Booklet texts (PDF) |
Track Listing, MP3 Downloads and Streaming Samples
| Track No. | Track Title / Details | Duration | Sample | Add to Cart | |
|---|---|---|---|---|---|
| DOWNLOAD COMPLETE ALBUM | 64:38 | ||||
| 1-14 | Biryulki, Op. 2 (1876) Anatoly Lyadov, composer Olga Solovieva, piano |
11:54 | |||
| 1 | 1, Presto | 0:51 |
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| 2 | 2, Allegro | 0:28 |
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| 3 | 3, Allegretto | 0:57 |
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| 4 | 4, Allegro con fuoco | 1:09 |
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| 5 | 5, Vivace | 0:46 |
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| 6 | 6, Allegro | 0:34 |
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| 7 | 7, Moderato | 0:50 |
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| 8 | 8, Allegro moderato | 0:56 |
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| 9 | 9, Allegretto tranquillo | 1:12 |
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| 10 | 10, Allegro | 0:52 |
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| 11 | 11, Tempo di Valse | 0:56 |
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| 12 | 12, Prestissimo | 0:39 |
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| 13 | 13, Vivace | 0:28 |
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| 14 | 14, Presto | 1:16 |
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| 15-20 | Six Morceaux, Op. 3 (1876-77) Anatoly Lyadov, composer Olga Solovieva, piano (first complete recording) |
11:36 | |||
| 15 | No. 1: Prelude | 1:19 |
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| 16 | No. 2: Gigue | 2:08 |
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| 17 | No. 3: Fugue (Moderato) | 2:24 |
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| 18 | No. 4: Mazurka (Allegro) | 2:26 |
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| 19 | No. 5: Mazurka (Allegro energico) | 2:05 |
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| 20 | No. 6: Mazurka (Allegro non troppo) | 1:14 |
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| 21-24 | Arabesques, Op. 4 (1878) Anatoly Lyadov, composer Olga Solovieva, piano (first complete recording) |
10:21 | |||
| 21 | No. 1 (Allegro con fuoco) | 1:26 |
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| 22 | No. 2 (Allegretto) | 3:46 |
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| 23 | No. 3 (Allegro grazioso) | 1:59 |
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| 24 | No. 4 (Ad libitum - Vivace) | 3:10 |
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| 25 | Etude, Op. 5 (1881) Anatoly Lyadov, composer Olga Solovieva, piano |
2:55 |
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| 26 | Impromptu, Op. 6 (1881) Anatoly Lyadov, composer Olga Solovieva, piano (first recording) |
1:27 |
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| 27-28 | Deux Intermezzi, Op. 7 (1881) Anatoly Lyadov, composer Olga Solovieva, piano (first complete recording) |
4:45 | |||
| 27 | No. 1 (Allegro vivace) | 2:39 |
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| 28 | No. 2 (Allegro energico) | 2:06 |
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| 29-30 | Deux Intermezzi, Op. 8 (1883) Anatoly Lyadov, composer Olga Solovieva, piano (first recording) |
4:51 | |||
| 29 | No. 1 (Allegro con fuoco) | 2:02 |
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| 30 | No. 2 (Allegretto) | 2:49 |
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| 31-32 | Deux Morceaux, Op. 9 (1883) Anatoly Lyadov, composer Olga Solovieva, piano (first complete recording) |
3:56 | |||
| 31 | No. 1: Valse | 1:29 |
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| 32 | No. 2: Mazurka | 2:27 |
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| 33-35 | Trois Morceaux, Op. 10 (1884) Anatoly Lyadov, composer Olga Solovieva, piano |
5:33 | |||
| 33 | No. 1: Prelude | 1:31 |
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| 34 | No. 2: Mazurka in C major | 1:47 |
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| 35 | No. 3: Mazurka in D major | 2:15 |
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| 36-38 | Trois Morceaux, Op. 11 (1885) Anatoly Lyadov, composer Olga Solovieva, piano |
7:20 | |||
| 36 | No. 1: Prelude | 2:47 |
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| 37 | No. 2: Mazurka (in Dorian Mode) | 2:03 |
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| 38 | No. 3: Mazurka in F sharp minor | 2:30 |
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Artists
Anatoly Lyadov, composer
Olga Solovieva, piano
Reviews
Olga Solovieva on Lyadov's music
My thanks to Pyotr Klimov for suggesting that I might consider recording the complete piano works of Lyadov. As I learned these pieces, I understood with what thoroughness, accuracy and attention to detail they were composed – Lyadov’s art is that of the jeweller. In the early works one can hear the influence of Schumann and Chopin, but even here the typical ‘Lyadovian’ traits are always audible. In my view Lyadov’s piano output is not only highly individual; it is of a quality that makes it both important for Russian music and of world significance.
Olga Solovieva TOCC0082 liner notes
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